I popped into the Dressmaker Exhibition, at the National Sound and Film Archive, and was thoroughly impressed. 8 years living in the ACT and I am kicking myself for not checking out the dozens of previously advertised NFSA exhibition. This exhibition closes on the 18th of August, so if you haven’t seen it, I would suggest going sooner rather than later.
The Dressmaker (the film), is an Australian classic. Having been convinced to watch it by my lovely Aunty, I will admit that it wasn’t specifically my cup of tea. The filmography and costuming were amazing, the story building is fantastic, but it was thoroughly lacking in superheroes and fast cars. Incredible film though, just not my taste. The film is probably best described as a revenge/comedy/drama set in outback Australia and explores the mysterious past of the female lead character Myrtle Dunnage. Myrtle is a fabulous dressmaker, which means that the costuming has a strong place within the film.
Although I enjoy costuming and anything textile, the Dressmaker Exhibition had been in my peripheral view, and it took a lovely friend arriving in town with a love for dressmaking to decide the matter. I loved the costumes on display. They were amazing. Lovely textiles, great embroidery, beautiful dress shapes.
Beyond the costumes, I loved the exhibition itself! It was interesting comparing the atmosphere between this exhibition, and my recent exploration of the Guo Pei exhibition. The Geo Pei exhibition was glamorous and it felt like you could be looking through a veil while standing on the runway or in the dressing room with the mannequins. It creates a dreamy feel to the whole exhibition. The Dressmaker Exhibition was the complete opposite. The dresses (and suits) stand with the set photography behind them in lovely bright lights. The display cases provide further insights with additional props or equipment, deepening the narrative behind the scenes that called for each piece. For many parts, it was easy to feel as connected to the dress as it was to the atmosphere and narrative of the movie. Remote Australian, with this injected glamour, and a whole bunch of f**k this. It felt punchy, not dreamy.
It’s probably a ridiculous thing to focus on, but I also loved the magazine stands. Yep... magazine stands.
It’s for two major reasons. Firstly, the magazines that were on display described the costumes as if they were haute couture. It felt like it was something the character, Myrtle, should have. It felt like the pieces were being elevated to the runway in Paris she belonged, and that it was throwing shade on the denizens of the horrible little town. Secondly, the magazine stands were just really nicely constructed and low impact on the exhibition itself. I took a surprising number of photos that I think may have confused the poor museum staff member who was looking after the floor that day (thanks for your patience!).
Marion Boyce plays a dual part in this fantastic exhibition: She is the designer/curator of the exhibition but was also the film costumer designer for The Dressmaker. I’ve noticed several future exhibitions that are tied to her, which I will certainly be making a point to visit.
I felt like this was a worthwhile exhibition to see, if you would like to snap up a ticket you can either buy them at the counter or pop onto the NSFA website: https://www.nfsa.gov.au/events/dressmaker-costume-exhibition
Museum working, game playing and dog loving geek. Tune in for musings about the GLAM sector, and generally geekiness.