Today, I have had my mind mind officially blown away by the coolest piece of data visualisation! I know, I’m probably slow to the scene, but you should immediately go and check out: http://listen.hatnote.com
No seriously. Right now... Okay, maybe after I have finished raving.
The website is Listen to Wikipedia, and it’s purpose is to create audio that represents the creation and removal of data on Wikipedia. The sound and strength of the notes depends on the size of the edit and who made it. The sound is absolutely lovely, and somewhat meditative. While the music plays, the titles of the pages being edit pop up on the screen like soft bubbles.
What an engaging and lovely way to display this data!
I can’t help but wonder what this would sound like connected to Trove. Or if it could be the sound in an entrance to a museum, being triggered off by people using the website or the data. This style of visualisation could provide a beauty that connects people to the importance of research and information creation.
A bit of research tells me that this isn’t the first amazing visualisation project that has been created the designer Mahmoud Hashemi. Working with Hatnote and Wikipedia, the designer has been a part of a number of heritage based visualisation projects, that are just very cool.
I hope this brings a little joy into your life this week.
I am incredibly lucky to work with some exceptional volunteers, who just seem to always *know* where to sniff out the clues. A few weeks ago, Jan the amazing, after digging though Floriade ephemera found the following details:
I can’t help but wonder if the artist had been compelled into creating the artwork, which he fervently didn’t want to. It is a brilliant name.
With that info, I dutifully added it into all my training manuals. Then I wondered... how is anyone else ever going to find this?
Thus, I am now editing the Wikipedia page for Commonwealth Park. I’ve started on the sculptures table to start with, but I feel that this might take quite some time. Wish me luck!
Just before Christmas, I had the pleasure of being invited along to a session at the Recycling Discovery Hub in Hume (a suburb of Canberra). The centre is normally only open to educational groups and special interest sessions, so I was super excited to go and check it out with a bunch of other enthusiastic museum and heritage educators.
The Recycling Discovery Hub is an ACT government project, led by Robbie Ladbrook. I was very lucky to have Robbie as my program leader during the Open Palaces Programme, and loved having a chance to see the project she has been working on in Australia. Opened in May 2018, the centre was created as a educational facility to enhance public understanding of how recycling and waste is processed.
The space is connected to the actual recycling centre and has a pretty incredible view over the inside of the plant. What can’t be seen easily is displayed on large TV screens - the cameras are able to be refocused on the topic of discussion for the presenter. It’s a small space, which at first glance seems too small to hold much information. I was blown away by exactly how much of the space is interactive and the sheer amount of information is conveyed in easily understandable chunks. I walked in thinking that I already knew a lot about recycling, and walked out thinking “You know nothing, Amanda” but completely invigorated to know keep learning.
When looking up information about the centre on the internet, what you will find a lot of information about the virtual reality interactive tour of the facility. Risk dictates that taking small people into the actual facility would be a terrible idea, so instead the tour is conducted via virtual reality. The experience included the participant sorting garbage, learning about the different symbols on plastic and driving forklifts. All very impressive and seemly enjoyable for the person driving the simulation.
In Robbie’s paper at Waste 2018, she mentions the importance of capturing imagination to tap into curiosity. As much as I love virtual reality, the rest of the centre totally tapped into my curiosity. The space is devided into areas which discuss different types of waste and what happens to them. Almost everything is touchable. There are samples of waste, examples of what waste is turned into, low tech versions of waste organisers, drawers to go through, things to open. It’s a tactile learners dream. I have added a large number of photos below with my absolute highlights.
Together with a great presentation, I left knowing far more then I did before entry. I found the experience engaging and highly enjoyable. I also think that the space would work for pretty much any demographic, which is an incredible feat by itself. I found myself at the end, not only wanting to be better at handling waste, but also inspired to find more ways in which to inspire curiosity in museums.
Waste 2018 - Building a better platform for community engagement (Robbie Ladbrook): https://www.coffswasteconference.com.au/QuickEventWebsitePortal/2018/waste/Agenda/AgendaItemDetail?id=48192932-2ece-a1a6-dd3e-39e0470f4b38
ACT PS News - Recycling won’t go to waste: https://psnews.com.au/2018/05/10/recycling-lessons-wont-go-to-waste/
Media moment demonstrating the space: https://twitter.com/actgovernment/status/994857228707430401?s=21
In October I had the pleasant experience of visiting the Goulburn Historic Waterworks to check out their annual Steampunk & Victoriana Fair. It was brilliant fun, and I will certainly be going along again!
The Waterworks is located next to the Wollondilly River, making it a very picturesque location. I can completely understand why so many events choose this location for a wide variety of shindigs. The official website explains that the pumping station was built in the 1880’s and provided Goulburn’s first reticulated water supply. The original Appleby Bro’s Beam engine is still maintained as a working piece of machinery. I was struck by how surprisingly quiet it was - somehow I has imagined that it would be as loud as the steam powered trains that I have seen. Beyond the original machine, there is a variety of other impressive devices that are somewhat meditative to watch in movement.
The museum space has a complicated past, much like many small museums. It has swung between fully privately funded, to council funding multiple times, but has somehow managed to survive quite solidly. There is a neat little education program available and the volunteers that I met onsite were very enthusiastic and knowledgeable. The Steampunk & Victoriana Fair is an initiative by the Waterworks to raise funds and profile. The Steampunk & Victoriana Fair has been running since 2014, with an attendance of approximately 250 people in it’s first year. Attendance for 2018 was approximately 3000, which is a fairly good rate of growth for an annual event (I believe this would have been higher is not for the rain). Revenue is also raised by having themed retail stores and food vendors. Cleverly, the food vendors were hidden slightly around a corner, which meant that the steampunk atmosphere could be maintain a little more easily. Multiple competitions (costume, inventions etc) invite participants to join in the fun from early before the events date, keeping it fresh in the public’s mind.
Steampunk is a genre of fiction that imagines a 19th-century inspired world that is influenced by science fiction style elements. There are very few ‘rules’ on what this means exactly - but imagine, it you will, a Victorian Gentleman in a lovely outfit that also includes a fully steam powered mechanical arm, or a set of suitcases that follows along behind the owner using steam powered tank treads. It is an amalgamation of science fiction with steam powered 19th century ingenuity and fashion. As someone who enjoys textile arts and sewing, I was so inspired by the characterful costumes. Admittedly, I am certainly not looking to get involved in another hobby, but I thought the deliberate anachronistic nature of the costuming looked very enjoyable. There is a storytelling element that is very alluring to the whole business.
With that in mind, I think that as a revenue raising event, the Fair is a wonderful choice for the site. The volunteers onsite helped to explain how the actual technology worked and I did notice that people were stopping to read the historic panels. The atmosphere was fabulous, and the users of the site clearly cared for the space. A quick googling brings up plenty of news articles talking about the event, raising the profile and traffic of the Waterworks. It also promotes the historic buildings as a prime site for other private and public events. I love that it both celebrates a history that was, and will never be. I will absolutely be returning to visit again this year!
Museum working, game playing and dog loving geek. Tune in for musings about the GLAM sector, and generally geekiness.