Admittedly, I may be finding myself spending a lot of time at the National Film and Sound Archive (NFSA) at the moment. Three times in 12 months is surprisingly high, but the topics they have been covering just tickles my brain into thinking more creatively and more broadly.
Digital Directions is an annual symposium, now in its fifth year of existence. The purpose of the symposium is designed to consider the future of our collections in the digital age. Like all good events, the NFSA collaborates with several other excellent institutions including (get ready for some alphabet soup): ABC, AIATSIS, ANU, AARNET, NAA, NLA and NMA.
This year’s speakers were fabulous, and the topics were broad and exciting. Will I go again? Absolutely! This is my very brief summary of the talks I managed to get to
There is nothing quite as satisfying than having a moment where a number of your passions come into alignment at the same time. Last weekend I had the joy of visiting the National Sound and Film Archive to explore the new exhibition ‘Game Masters’. My museum life was hanging out with my gaming life, and I don’t think I could have been more satisfied.
The world of gaming is going through an incredible time at the moment. Back when I was a wee girl in the 1980’s popular opinion made video games the realm of the young and those who had nothing better to do. They were something to scoff at, an illegitimate form of entertainment and the domain of the basement-dwelling white pasty male.
Honestly, I felt like a bit of a rebel against society. A girl who was playing games and thumbing my nose at those who thought my past times were a sign of immaturity. For me, and many of my friends, they were a style of storytelling that I connected to. The games that really stick out in my mind are Zelda, Final Fantasy and the Dungeons and Dragons PC games. I migrated from console and PC gaming, and made my way into tabletop games, designing stories and worlds that would explore the narratives that I connected to. I think it moulded me into team player, a deep thinker and a problem solver.
I’m extremely impressed to see that the National Film and Sound Archive are accepting their first games into the collection. It’s only right that collections start to reflect this medium more fully, not just an art form, but as something that has (and will) influence society. It will be interesting to see how they go about this process with some game consoles beginning to get to the end of their spare-parts life. It sounds like a great adventure in future planning!
The Game Masters Exhibition is fabulous. The exhibition was initially debuted in its home, the Australian Centre for the Moving Image. It’s travelled extensively overseas, and this is its first visit to Australia. The exhibition stretches over three spaces all of which include a startling number of games that you can play. This is a hands-on exhibition, with staff on hand to explain ideas and gameplay to visitors.
I loved the theming of the spaces, and the text panels were spot on. It’s rare to see so much information readily available about the game designers and how a game comes together. The games were all working, almost a miracle considering the breakdown rate of touch screens and TVs in exhibitions. The games and designer choices are really thoughtful, pulling out trailblazers that started genres (like Wil Wright, Peter Moyneux) and new Indie designed creating amazing concepts (like thegamecompany and Ken Wong). There were many moments were Mr Geek, and I made squeaky excited noises where we found a game that we loved and felt connected to. We tried a few new things. I oooh-ed and aaaah-ed at drawings and handwritten notes and company structures and models. It was just fabulous fun with ways of engaging people who may have no interest in the genres at all. There are a good number of photos below with notes.
I wish there were a merchandise shop for this one because I would have loved to go home with some swag. I like that the exhibition wasn’t buying into the stereotypical mouth-breathing basement-dwelling nerd. I felt very welcome and among a wide variety of people from the community. I was not the only woman playing enthusiastically on the consoles, which was fabulous to see. There were youngesters, all the way through to people who may have started gaming significantly before I was born.
Whether you love games, feel confused by them, or just want to understand what the gaming community finds in them; this is an excellent opportunity to learn about why they matter and who some of the movers and shakers have been.
PS: A shout out to my Dad who had Captain Comic installed on our very first computer. A shout out to my hubby for introducing me to Dungeons and Dragons, and to Mike for letting me play on their Nintendo 64. A big shout out to my weekly gaming group who I design with, solve problems with and imagine better worlds with.
I popped into the Dressmaker Exhibition, at the National Sound and Film Archive, and was thoroughly impressed. 8 years living in the ACT and I am kicking myself for not checking out the dozens of previously advertised NFSA exhibition. This exhibition closes on the 18th of August, so if you haven’t seen it, I would suggest going sooner rather than later.
The Dressmaker (the film), is an Australian classic. Having been convinced to watch it by my lovely Aunty, I will admit that it wasn’t specifically my cup of tea. The filmography and costuming were amazing, the story building is fantastic, but it was thoroughly lacking in superheroes and fast cars. Incredible film though, just not my taste. The film is probably best described as a revenge/comedy/drama set in outback Australia and explores the mysterious past of the female lead character Myrtle Dunnage. Myrtle is a fabulous dressmaker, which means that the costuming has a strong place within the film.
Although I enjoy costuming and anything textile, the Dressmaker Exhibition had been in my peripheral view, and it took a lovely friend arriving in town with a love for dressmaking to decide the matter. I loved the costumes on display. They were amazing. Lovely textiles, great embroidery, beautiful dress shapes.
Beyond the costumes, I loved the exhibition itself! It was interesting comparing the atmosphere between this exhibition, and my recent exploration of the Guo Pei exhibition. The Geo Pei exhibition was glamorous and it felt like you could be looking through a veil while standing on the runway or in the dressing room with the mannequins. It creates a dreamy feel to the whole exhibition. The Dressmaker Exhibition was the complete opposite. The dresses (and suits) stand with the set photography behind them in lovely bright lights. The display cases provide further insights with additional props or equipment, deepening the narrative behind the scenes that called for each piece. For many parts, it was easy to feel as connected to the dress as it was to the atmosphere and narrative of the movie. Remote Australian, with this injected glamour, and a whole bunch of f**k this. It felt punchy, not dreamy.
It’s probably a ridiculous thing to focus on, but I also loved the magazine stands. Yep... magazine stands.
It’s for two major reasons. Firstly, the magazines that were on display described the costumes as if they were haute couture. It felt like it was something the character, Myrtle, should have. It felt like the pieces were being elevated to the runway in Paris she belonged, and that it was throwing shade on the denizens of the horrible little town. Secondly, the magazine stands were just really nicely constructed and low impact on the exhibition itself. I took a surprising number of photos that I think may have confused the poor museum staff member who was looking after the floor that day (thanks for your patience!).
Marion Boyce plays a dual part in this fantastic exhibition: She is the designer/curator of the exhibition but was also the film costumer designer for The Dressmaker. I’ve noticed several future exhibitions that are tied to her, which I will certainly be making a point to visit.
I felt like this was a worthwhile exhibition to see, if you would like to snap up a ticket you can either buy them at the counter or pop onto the NSFA website: https://www.nfsa.gov.au/events/dressmaker-costume-exhibition
Museum working, game playing and dog loving geek. Tune in for musings about the GLAM sector, and generally geekiness.