I took the time to pop into Midwarr/Harvest yesterday at the National Museum of Australia, with the knowledge that I was catching the exhibition on the last day. I’m not certain why it took me so long to check this amazing exhibition out, it has some fantastic artworks and brilliant design practice. The exhibition is a collaboration between Mulkun Wirrpanda and John Wolseley, exploring the plants of north-east Arnhem Land. There were more then 80 items to explore which stretched out over a number of different mediums.
I loved the organic feeling to the exhibition space. The front entrance to the exhibition included natural feeling curves with a backdrop of a massive canvas stretching nearly the length of the displays. The text panels incorporated the same art styles and created connection to the works very succinctly. It will never fail to impress me when a designer so beautifully conveys messages in so few words. Along with text panels, there were also called out quotes from the artists, in both English and in Yolnu matha (language). It really was a stunning exhibition, and I am disappointed that I left it too late to visit a second time. I’m also disappointed that the book seems to be sold out pretty much from every shop in Canberra - on the upside it’s nice to see a museum exhibition book sell out!
I think what I loved the most with this exhibition was the connection that I felt to the artists. Through expressive panels, I was reading their stories that deepened my curiousity and respect for the works. I felt a powerful draw towards the artist tools and creation process descriptions. Having the wood block cuttings next to their respective prints was a wonderful choice. Not only could I imagine the work that it would take to create the blocks, it created a real resonance with the matierials displayed. I appreciated the small display of artistic tools on display, as another personal connection, and I thought that the photos of the artists creating these beautiful works were fantastic. I really loved that the display design did not shy away from showing the medium that the works were painted on to, and in fact seemed to embrace all aspects of the work as significant.
Having recently attended the National Libaries Dombrovski exhibition, I felt that as a viewer I preferred these deeper connections to really humanise the artworks. Perhaps the purpose of the exhibition Dombrovski exhibition was to give an insider peak into the vast nature of Tasmanian wilderness. However, my reaction to the exhibition was a whole lot of ‘my, that’s a lot of nature’. I would have loved to see some of the personal artefacts to give me an idea of the person behind the lens - a camera, a duffle bag, one of the glass slides, some personal stories. Without these small human connections, I found it hard to transcend from ‘my, that’s a big mountain’, to ‘wow! I can’t beleive a human took that photo under such extreme conditions’. Perhaps the design of the exhibition just required someone who is much more interested in natural landscapes then I am.
Museum working, game playing and dog loving geek. Tune in for musings about the GLAM sector, and generally geekiness.