Friends, I love embroidery. I’m sure you have already picked that up. Yesterday, I went to an exhibition at the Asian Civilisation Exhibition on the work by Guo Pei that just sunk into my soul. That moment, where people talk about being emotionally moved by a piece of art, or music? That was me, in awe. The embroidery and beading work is beyond anything I have ever seen in person before. Beyond literally getting lost in the design of the works, the exhibition design is divine. And it has a fabulous education section. I was in heaven.
Guo Pei is China’s leading couturiere, creating not only incredible clothing for famous people, but also artistic pieces that are mind blowing. Having started sewing at the age of 2 (!), her career started in Tianma and then moved on to create Rose Studio in 1997. Gus’s dresses are designed to tell a story, through the medium of fabric and textiles. The entire outfit stitches together to tell a narrative. Her most famous work is most likely what the media started calling the ‘Omelette Dress’ (I believe it’s actual name is the Empress Dress), which was worn by Rihanna during the Met Gala in 2015.
The exhibition is beautifully designed, with lighting that highlights the dresses perfectly. The first section, has a minimalistic wardrobe feeling to it. The dresses are displayed next to either clothing or items from collections that form part of the inspiration behind the design. In the second section along, the dress on the mannequins have well placed mirrors around them, giving the impression that the wearable items are being admired by the wearer. When you move into the last section, which are highly sculptural artistic designs (only really worn for the runway) the mirrors disappear for the dresses to stand by themselves in the space. The interpretation is spot on. Short and easy to read panels, and the exhibition guide (in multiple languages) doesn’t just repeat exactly what is on the walls. There is soft music to set the feeling of the space, and benches to gaze upon the works.
I loved the education section of the exhibition as well, which is designed for both children and adults. The learning space is located well and truly on the other side of the exhibition, where the prized Empress Dress commands the space. There are a couple of really great reasons for the location: the noise of creating and having fun doesn’t leak into the other galleries, it’s outside of the paid section so it can tempt people in, and it a lovely well lit area. There is a reading area with books about art and design in fashion, a creation space for making clothes on mannequins and a great embroidery area that doesn’t include the risk of visitors stabbing themselves with sharp needles. It’s really just fabulous and inviting for anyone to touch, play and learn.
Go see this exhibition, it you can. It’s wonderful and inspiring, both as an embroidery geek and as a museum design/interpretation enthusiast. I am so glad I had the chance to see this. I left with a much great appreciation of Chinese art and fashion.
Just before Christmas, I had the pleasure of being invited along to a session at the Recycling Discovery Hub in Hume (a suburb of Canberra). The centre is normally only open to educational groups and special interest sessions, so I was super excited to go and check it out with a bunch of other enthusiastic museum and heritage educators.
The Recycling Discovery Hub is an ACT government project, led by Robbie Ladbrook. I was very lucky to have Robbie as my program leader during the Open Palaces Programme, and loved having a chance to see the project she has been working on in Australia. Opened in May 2018, the centre was created as a educational facility to enhance public understanding of how recycling and waste is processed.
The space is connected to the actual recycling centre and has a pretty incredible view over the inside of the plant. What can’t be seen easily is displayed on large TV screens - the cameras are able to be refocused on the topic of discussion for the presenter. It’s a small space, which at first glance seems too small to hold much information. I was blown away by exactly how much of the space is interactive and the sheer amount of information is conveyed in easily understandable chunks. I walked in thinking that I already knew a lot about recycling, and walked out thinking “You know nothing, Amanda” but completely invigorated to know keep learning.
When looking up information about the centre on the internet, what you will find a lot of information about the virtual reality interactive tour of the facility. Risk dictates that taking small people into the actual facility would be a terrible idea, so instead the tour is conducted via virtual reality. The experience included the participant sorting garbage, learning about the different symbols on plastic and driving forklifts. All very impressive and seemly enjoyable for the person driving the simulation.
In Robbie’s paper at Waste 2018, she mentions the importance of capturing imagination to tap into curiosity. As much as I love virtual reality, the rest of the centre totally tapped into my curiosity. The space is devided into areas which discuss different types of waste and what happens to them. Almost everything is touchable. There are samples of waste, examples of what waste is turned into, low tech versions of waste organisers, drawers to go through, things to open. It’s a tactile learners dream. I have added a large number of photos below with my absolute highlights.
Together with a great presentation, I left knowing far more then I did before entry. I found the experience engaging and highly enjoyable. I also think that the space would work for pretty much any demographic, which is an incredible feat by itself. I found myself at the end, not only wanting to be better at handling waste, but also inspired to find more ways in which to inspire curiosity in museums.
Waste 2018 - Building a better platform for community engagement (Robbie Ladbrook): https://www.coffswasteconference.com.au/QuickEventWebsitePortal/2018/waste/Agenda/AgendaItemDetail?id=48192932-2ece-a1a6-dd3e-39e0470f4b38
ACT PS News - Recycling won’t go to waste: https://psnews.com.au/2018/05/10/recycling-lessons-wont-go-to-waste/
Media moment demonstrating the space: https://twitter.com/actgovernment/status/994857228707430401?s=21
One of the stops that I had been extremely excited to see during the Open Palaces Programme was the Roman Baths. I ended up visiting twice, which I am so glad for, because there is no way I could have taken in the vast amount of information in one session.
If you are visiting the Roman Baths as a tourist, I would highly recommend going to the summer evening sessions. It’s a little quieter, and the location takes on a very different atmosphere once the glare of sunlight dims. Also, contrary to the descriptions of the taste of the water, I didn’t find it repulsive. Someone during the tour described it like ‘warm water, served through a sweaty sock’. I would describe it more like warm bore water inside a metal tin. It was odd, but not awful. As a museum enthusiast, be prepared to take a lot of notes. There is a whole lot to see and think about.
There are some significant differences between The Roman Baths and the vast number of heritage sites in Australia. Firstly, there seems to be an entire country of people visiting it everyday. The Roman Baths had a whopping 1.2million people visit it during the last financial year This is remarkably close to the Australian War Memorial in Canberra, who stood at 1.12million during the previous financial year. The part that makes this particularly incredible, is that those 1.2million visitors are walking through and touching the ancient space. There are areas that are protected, but when you are walking on those ancient stones you are stepping on the real stones. There are places where you can put your hand on the building and almost feel the weight of the years behind it. I can’t image the work that must be achieved behind the scenes by a dedicated conservation team to make this possible. From all those people visiting and some brilliant retail/hospitality choices, The Roman Baths turns over a very tidy profit each year. It’s important to keep that in mind when looking at the incredible set up that exists there, I can imagine that a good amount of that is achievable because they sell themselves extremely well. I was also incredibly impressed that in their annual report, they reflect on the benefit that has reached the wider community through generated tourism revenue and employment.
The two fantastic take homes from the Roman Baths, for me, was the diversity of their audio guides and brilliant use of scrims. We had a workshop session with the Education Manager, Lindsay Braidley, who was entirely inspiring. Much of the workshop revolved around placing people back into the site, and their work on creating audio tours that felt personable. I also fell in love with the concept of the ‘Tripod of sustainability’ which includes Customers, Commercial, and Conservation. I will likely cover that much more in another blog post (most likely when I am day dreaming about working in Bath).
Audio guides and I, are not normally friends. I like strolling at my own pace, and being required to stand in front of an object while someone talks in my ear is not my idea of a good time. Generally I find them hugely irritating and kind of pretentious. The key is, that most guides are there to inform the visitor about details, and without a guide there is a good chance of missing information. So it was with a heavy heart that I picked up an audio guide and started winding through the ginormous crowds of people. The Roman Baths has gone out their way to match people with an interest through different programs. From memory the guides included children, adults, archeology, geology and (my personal favourite) the Bill Bryson tour. You are not locked in to hearing only one, you can key into which ever one interests you the most, giving me some power over what style of information that I wanted. The Bill Bryson one particular appealed to me, because it was really a bit like wandering around with a mate who liked to think about things, and was very accessible. The children’s audio guide was quite enjoyable, and included a variety of characters that kids could connect with. I found myself frequently tuning into a session, because they were so personable. The audio points are all over the place, and there are few spots which don’t include them. Audio guides were free with admission and available in a wide range of languages.
Scrims! I personally love the use of a good scrim, but not everyone does. A scrim is an incredibly thin piece of fabric, that is mostly see through, which you can either print or project an image onto. The reason that I love them so dearly is that you can very effectively create a scene where the current and the past bump up against each other. This is particularly useful in heritage locations when restoring a location to the vision of the past is not suitable or in interpreting areas which are difficult for a participant to imagine. The Roman Baths were using a large numbers of scrims with incredible results. Many of the rooms that are still being researched and used by archaeologists had scrims with projected scenes of everyday use in the space. The character actors were not often speaking (which is great for avoiding language or hearing barriers), but soundscapes created the atmosphere of noise that would have been heard within a busy location full of people. In some locations, scrims were used in conjunction with items that were placed around the area, further creating the illusion of the scene. It was an incredible experience and I found it very sympathetic to the spaces, and really felt like seeing the ruins and combining the scenes made the building extremely relatable.
The Roman Baths are well worth a visit for some wonderful cutting edge museum practice. They will soon be opening up a new area, which is highly exciting. I really recommend checking out their annual reports if you are in the museum business, because they are fascinating. They also have a wonderful website full of educational programs that can be downloaded and studied in detail. It was truly a wonderful experience.
Museum working, game playing and dog loving geek. Tune in for musings about the GLAM sector, and generally geekiness.